On Canto Generalby Gail Holst
In terms of his own development as a composer, Canto General represents Theodorakis's most important exploration of rhythm to date. (...) In canto General, Theodorakis has expanded the technique of juxtaposed rhythms into a more abstract concept of rhythmic organisation which still, however, relies on Greek traditional rhythms as well as South American rhythms as its main source of inspiration. Theodorakis is no longer dealing with variations of traditional patterns so much as exploring the fundamental division of rhythm into groups of twos and threes. Canto General is not an integrated work in the same way as Axion Esti. Its sections are units which can be performed independently or with some variation in the order of presentation. Its overriding character is determined by its rhythmic writing. It is a unique work in the body of Theodorakis's composition and, I believe, in the repertoire of modern music. It is in some senses a popular work, in others, a contemporary classical composition. © Gail Holst: Theodorakis. Myth & Politics in Modern Greek Music. |
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